Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Henri Fantin-Latour
White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth

ID: 58784

Henri Fantin-Latour White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth
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Henri Fantin-Latour White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth


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Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.  Related Paintings of Henri Fantin-Latour :. | The Temptation of St Anthony | studio at batignolles | A Plate of Apples, | Flowers and fruit | Au bord de la mer |
Related Artists:
Samuel Walters
British Painter, 1811-1882
Constantin Hansen
Danish 1804-1880 Constantin Hansen Galleries Danish painter. In 1816 he entered the Kongelige Akademi for de Sk?nne Kunster, Copenhagen, intending to study architecture; however he later became attracted to painting and worked under C. W. Eckersberg from 1828 to 1833. Around the middle of the 1820s he started developing an individual style of portraiture, which had matured by 1830. He often used his sisters and friends as models; using simple costumes, poses and compositions, he managed to endow his pictures with the intimacy and warmth that mark the Danish Golden Age. The Artist's Sisters Signe and Henriette Reading a Book (1826; Copenhagen, Stat. Mus. Kst) is a fine example of his combination of natural observation with Neo-classical idealization. Under Eckersberg, who encouraged both, he strengthened his natural flair for painting serene architectural views of Copenhagen.
Jacobus Theodorus Abels
1803-1866






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