Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Henri Fantin-Latour
White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth

ID: 58784

Henri Fantin-Latour White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth
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Henri Fantin-Latour White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth


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Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.  Related Paintings of Henri Fantin-Latour :. | Flowers and Fruit on a Table | Kersenbloesem en violen. | The Two Sisters | Fleurs roses, sin fecha | Violettes et azalees |
Related Artists:
Simone Cantarini,Called Il Pesarese
Pesaro 1612-Bologna 1648
Barend van Orley
Brussels ca 1488-1541
Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).






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